Showing posts tagged film criticism
Journalist Peter Maass in The Atlantic on Zero Dark Thirty:


I agree that the movie’s depiction of the CIA is regrettably uncritical; let’s remember, the CIA provided false evidence for going to war against Iraq, it tortured prisoners in secret jails and sent others to third countries where they would be tortured (and covered up as much of this as possible), and it is now engaged in a covert program using aerial drones to kill people who have not been convicted of any crime—and in these attacks women and children are often killed. The film fails to consider the notion that the CIA and the intelligence industry as a whole, rather than being solutions to what threatens us, might be part of the problem.


Jane Mayer writing about the film for The New Yorker:


“Zero Dark Thirty,” which opens across the country next month, is a pulse-quickening film that spends its first half hour or so depicting a fictionalized version of the Bush Administration’s secret U.S. interrogation program. In reality, the C.I.A.’s program of calibrated cruelty was deemed so illegal, and so immoral, that the director of the F.B.I. withdrew his personnel rather than have them collaborate with it, and the top lawyer at the Pentagon laid his career on the line in an effort to stop a version of the program from spreading to the armed forces.

Journalist Peter Maass in The Atlantic on Zero Dark Thirty:

I agree that the movie’s depiction of the CIA is regrettably uncritical; let’s remember, the CIA provided false evidence for going to war against Iraq, it tortured prisoners in secret jails and sent others to third countries where they would be tortured (and covered up as much of this as possible), and it is now engaged in a covert program using aerial drones to kill people who have not been convicted of any crime—and in these attacks women and children are often killed. The film fails to consider the notion that the CIA and the intelligence industry as a whole, rather than being solutions to what threatens us, might be part of the problem.

Jane Mayer writing about the film for The New Yorker:

“Zero Dark Thirty,” which opens across the country next month, is a pulse-quickening film that spends its first half hour or so depicting a fictionalized version of the Bush Administration’s secret U.S. interrogation program. In reality, the C.I.A.’s program of calibrated cruelty was deemed so illegal, and so immoral, that the director of the F.B.I. withdrew his personnel rather than have them collaborate with it, and the top lawyer at the Pentagon laid his career on the line in an effort to stop a version of the program from spreading to the armed forces.

For PopMatters, I wrote a short post about the iconic setting of one of my all-time favorite films, Alfred Hitchcock’s Rear Window.