MINOR AT HEART
A homecoming for the Queen of Soul
Film critic Melissa Anderson writes about the release of Amazing Grace, a "long-delayed" documentary concert film chronicling two widely revered 1972-era Aretha Franklin performances that comprise a live album of the same name.
It came from the deep
Artist Wesley Allsbrook's most recent piece for The New Yorker is dense with sinewy lines and appropriately aquatic-themed.
About
Dominic Umile lives, writes, and drinks in Brooklyn, NY. His criticism and features have appeared in The Los Angeles Times, the Chicago Reader, Hyperallergic, and more. Send him an email.