I’ve been working my way through a voluminous new cross-section of the comics publishing landscape called Comics: A Global History, 1968 to the Present (Thames & Hudson, 2014).
I’ve been working my way through a voluminous new cross-section of the comics publishing landscape called Comics: A Global History, 1968 to the Present (Thames & Hudson, 2014).
The editors of ARTFORUM magazine welcomed fifteen comics and animation professionals to contribute their perspectives on the modern condition of both mediums, and, according to the summer issue’s introductory article, to “delve into the history of comics and the graphic novel and their fraught relation to contemporary art and literature….” — an ambitious endeavor that, even in steamy July, offers lukewarm results.